{"id":2430,"date":"2021-04-25T20:16:12","date_gmt":"2021-04-25T20:16:12","guid":{"rendered":"https:\/\/romaniacolor.ro\/?p=2430"},"modified":"2022-02-19T14:00:50","modified_gmt":"2022-02-19T14:00:50","slug":"constantin-brancusi-infinitul-sculpturii-moderne","status":"publish","type":"post","link":"https:\/\/romaniacolor.ro\/ro\/oameni\/constantin-brancusi-infinitul-sculpturii-moderne\/","title":{"rendered":"Constantin Br\u00e2ncu\u0219i, infinitul sculpturii moderne"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Este pionier al sculpturii moderne abstracte ale c\u0103rui lucr\u0103ri \u00een bronz \u0219i marmur\u0103 sunt caracterizate printr-o utilizare restr\u00e2ns\u0103 \u0219i elegant\u0103 de form\u0103 pur\u0103 \u0219i finisaje rafinate. A fost de asemenea un pasionat sculptor \u00een lemn realiz\u00e2nd multe lucr\u0103ri adesea cu influen\u021be de art\u0103 popular\u0103. Este cunoscut pentru sculpturile sale abstracte de capete ovoidale \u0219i p\u0103s\u0103ri \u00een zbor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Figur\u0103 central\u0103 \u00een mi\u0219care artistic\u0103 modern\u0103, Br\u00e2ncu\u0219i este considerat unul dintre cei mai mari sculptori ai secolului al XX-lea. Sculpturile sale se remarc\u0103 prin elegan\u021ba formei \u0219i utilizarea sensibil\u0103 a materialelor, combin\u00e2nd simplitatea artei populare rom\u00e2ne\u0219ti cu rafinamentul avangardei artistice. Opera sa a influen\u021bat profund conceptul modern de form\u0103 \u00een sculptur\u0103, pictur\u0103 sau desen.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">N\u0103scut la data de 19 februarie 1876, \u00een satul Hobi\u021ba, jude\u021bul Gorj din Oltenia, Constantin Br\u00e2ncu\u0219i a studiat arta la \u0218coala de Arte \u0219i Meserii din Craiova \u00een perioada 1894-1988 \u0219i la \u0218coala Na\u021bional\u0103 de Arte Frumoase din Bucure\u0219ti \u00eentre anii 1898 \u0219i 1902.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen anul 1903 prime\u0219te prima comand\u0103 a unui monument public, aceea de a realiza bustul generalului medic Carol Davila. Sculptura a fost expus\u0103 \u00een curtea Spitalului Militar Central din Bucure\u0219ti \u00een anul 1912, fiind singura expus\u0103 \u00eentr-un loc public din Bucure\u0219ti.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen anul 1904 s-a mutat la Paris dornic s\u0103-\u0219i continue educa\u021bia \u00eentr-un centrul artistic major. Anul urm\u0103tor, reu\u0219e\u0219te la concursul de admitere la \u00c9cole Nationale Sup\u00e9rieure des Beaux-Arts.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen anul 1907 a lucrat ca practician \u00een atelierul sculptorului Auguste Rodin, dup\u0103 numai c\u00e2teva luni Br\u00e2ncu\u0219i va pleca spun\u00e2nd cuvintele devenite celebre \u201d<em>Rien ne pousse \u00e0 l\u2019ombre des grands arbres<\/em>\u201d (\u201d<em>La umbra marilor copaci nu cre\u0219te nimic<\/em>\u201d).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tot \u00een anul 1907, Br\u00e2ncu\u0219i creeaz\u0103 prima versiune a \u201d<em>S\u0103rutului<\/em>\u201d, tem\u0103 pe care o va relua sub diferite forme p\u00e2n\u0103 \u00een anul 1940.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dup\u0103 anul 1907 urmea\u0103 perioada de maturitate artistic\u0103 a lui Br\u00e2ncu\u0219i. El incepe s\u0103 utilizeze formele abstracte \u0219i sculptarea direct\u0103 a materialului, spre deosebire de practica mult mai obi\u0219nuit\u0103 de a face un model care urmeaz\u0103 s\u0103 fie turnat sau executat de al\u021bii. Pe m\u0103sur\u0103 ce tehnica lui de lucru evolueaz\u0103, ea va fi apreciat\u0103 de avangarda parizian\u0103\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P\u00e2n\u0103 \u00een anul 1914, particip\u0103 cu regularitate la expozi\u021bii colective \u00een Paris \u0219i Bucure\u0219ti \u00eenaugur\u00e2nd ciclurile \u201d<em>P\u0103s\u0103ri M\u0103iestre<\/em>\u201d, \u201d<em>Muza adormit\u0103<\/em>\u201d, \u201d<em>Domni\u0219oara Pogany<\/em>\u201d. \u00cen\u00a0anul 1914, Br\u00e2ncu\u0219i deschide prima expozi\u021bie \u00een Statele Unite ale Americii, \u00een New York, unde provoac\u0103 o enorm\u0103 senza\u021bie, lucr\u0103rile sale fiind cump\u0103rate imediat de colec\u021bionari.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen anul 1927, \u00een Statele Unite a fost ini\u021biat un proces istoric pentru a determina dac\u0103 o versiune a lucr\u0103rii \u201d<em>Pas\u0103re \u00een Spa\u021biu<\/em>\u201d a lui Br\u00e2ncu\u0219i este responsabil\u0103 de tax\u0103 ca produs obiect sau oper\u0103 de art\u0103. Curtea a decis \u00een 1928 c\u0103 sculptura era o oper\u0103 de art\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen anul 1935, Br\u00e2ncu\u0219i a fost \u00eens\u0103rcinat s\u0103 creeze un memorial de r\u0103zboi la T\u00e2rgul Jiu, pentru care a proiectat un ansamblu sculptural ce include \u201d<em>Masa T\u0103ceri<\/em>\u201di, \u201d<em>Poarta S\u0103rutului<\/em>\u201d \u0219i monumentala \u201d<em>Coloan\u0103 f\u0103r\u0103 Sf\u00e2r\u0219it<\/em>\u201d. Proiectul \u00eentruchipeaz\u0103 preocup\u0103rile esen\u021biale pentru arta lui Br\u00e2ncu\u0219i, idealizarea formelor estetice, integrarea arhitecturii, a sculpturii \u0219i a mobilierului, \u0219i evocarea poetic\u0103 a g\u00e2ndirii spirituale.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La 15 martie 1957, la Paris, Constantin Br\u00e2ncu\u0219i se stinge din via\u021b\u0103 la v\u00e2rsta de 81 de ani fiind\u00a0 \u00eenmorm\u00e2ntat la Cimitirul Montparnasse.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Romania Color v\u0103 va conduce mereu cu pl\u0103cere \u00een c\u0103l\u0103toria de cunoa\u0219tere a culturii poporului rom\u00e2n.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Este pionier al sculpturii moderne abstracte ale c\u0103rui lucr\u0103ri \u00een bronz \u0219i marmur\u0103 sunt caracterizate printr-o utilizare restr\u00e2ns\u0103 \u0219i elegant\u0103 de form\u0103 pur\u0103 \u0219i finisaje rafinate. A fost de asemenea&hellip;<\/p>\n","protected":false},"author":1,"featured_media":2330,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45,43],"tags":[],"powerkit_post_featured":[],"class_list":["post-2430","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-oameni"],"_links":{"self":[{"href":"https:\/\/romaniacolor.ro\/ro\/wp-json\/wp\/v2\/posts\/2430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/romaniacolor.ro\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/romaniacolor.ro\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/romaniacolor.ro\/ro\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/romaniacolor.ro\/ro\/wp-json\/wp\/v2\/comments?post=2430"}],"version-history":[{"count":1,"href":"https:\/\/romaniacolor.ro\/ro\/wp-json\/wp\/v2\/posts\/2430\/revisions"}],"predecessor-version":[{"id":2431,"href":"https:\/\/romaniacolor.ro\/ro\/wp-json\/wp\/v2\/posts\/2430\/revisions\/2431"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/romaniacolor.ro\/ro\/wp-json\/wp\/v2\/media\/2330"}],"wp:attachment":[{"href":"https:\/\/romaniacolor.ro\/ro\/wp-json\/wp\/v2\/media?parent=2430"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/romaniacolor.ro\/ro\/wp-json\/wp\/v2\/categories?post=2430"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/romaniacolor.ro\/ro\/wp-json\/wp\/v2\/tags?post=2430"},{"taxonomy":"powerkit_post_featured","embeddable":true,"href":"https:\/\/romaniacolor.ro\/ro\/wp-json\/wp\/v2\/powerkit_post_featured?post=2430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}